Flowers of the Earth


Solo Exhibition
Rotherham Minster
Curated by Mark Devereux Projects

Commissioned by WOW Rotherham
Selected by David Sinclaire

Supported by Flux Rotherham, Rotherham Minister and Rotherham Council


Photos by Hannah Pye
 
Flowers of the Earth transforms Rotherham Minster into a vibrant space of celebration, reflection, and cultural connection. Inspired by Hindu traditions, where flowers symbolise spirituality, positive energy, and new beginnings, the installation explores the power of flowers as a universal language that transcends borders.

Across cultures, flowers hold deep meaning. In Indian culture, garlands represent purity, devotion, and celebration, often linked to the goddess Lakshmi and the blessings of abundance. Similarly, flowers around the world are used in rituals, offerings, and ceremonies, marking love, remembrance, and renewal.

Each handmade flower in the installation represents a unique identity, memory, or story. Together, they form a collective garland, a symbol of unity through diversity. The work invites visitors to reflect on the theme The Colour of Identity, celebrating Rotherham’s vibrant communities and the shared spaces where we all grow and thrive.

Temple bells are also woven into the installation. Traditionally made from five metals symbolising earth, air, sky, water, and space, the bells’ resonant tones invite visitors into stillness and connection. As the flowers celebrate the beauty of difference, the bells echo the harmony that links us all, inviting a moment of presence, reflection, and shared belonging.






Journey of the Blue Sun


Solo Exhibition
The  Old Fire Station, Oxford
Curated by Mark Devereux Projects

Photos by Hannah Pye
Weaving together a story of migration, belonging and community, artist Saroj Patel leads us from a small village in India to a new life in the UK through her solo exhibition, Journey of the Blue Sun.

Swathes of colour, light and sound consume the two gallery spaces in Oxford’s Old Fire Station, as Patel presents a series of brand-new installations and sculptures inspired by her mixed cultural heritage. Representing the experiences and stories of intercultural communities across the UK, Journey of the Blue Sun is a celebration of new beginnings and significant histories.

Saroj Patel comments: “I have always been fascinated by my parents’ stories about their initial move to the UK, the experiences they had and how different life was compared to India. Like many Indians who migrated to the UK, they faced numerous challenges and difficulties. However, being a second-generation immigrant has positively impacted my life in many ways. It has given me far more choices and opportunities than I would have had if I had been born in the villages in Gujarat.”

Incorporating her signature textile artworks with brand-new forays into sound and video, Patel invites her audiences into an immersive, sensory experience. The exhibition also includes new artworks co-created with a group of women from Sunrise Multicultural Project, Banbury, Oxfordshire.

Curator, Mark Devereux added: “Journey of the Blue Sun shares an important personal story that is pertinent to so many people and communities living in the UK now. The new work Saroj has produced for this exhibition signals an exciting future for this ambitious and talented artist.”



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The Wings Flutter , Grasslands are Alive


Public Art
Meadowland at Wakehurst, Sussex
Commission by RGB Kew
June-September  2024

Curated by fynn studio

Photos by Jim Holden © RBG Kew  
‘The Wings Flutter, Grasslands are Alive’ was commissioned by RGB Kew and curated by Fynn Studio. It was a site specific installation for Wakehurst.

Located in the breathtaking Bloomers Valley, rich in local wildlife species, the five large gateways form a shrine to the meadows. Taking inspiration from the grasslands across my ancestral home in Gujarat, India, and the colourful shrines carved into the foothills of the Himalayas, the 3.5m high gateways were adorned with over 700 handsewn flags, evoking the colours of butterfly and moth wings and the flowers they pollinate. Bells at each gateway signal a sense of arrival, evoking an inner peace when rung, completing the sacred place where plants, pollinators and people meet.

There will be 5 gateways represent Panch Mahabhoot: Earth (Prithvi), Air (Vayu), Space (Akash), Water (Jal), Fire (Agni). In Indian philosophy, the fundamental structural basis of all living beings (including all plants, animals and humans) are 5 elements or Panch Mahabhoot.
Each of these five elements symbolise distinct states of matter present in all living entities, highlighting the connection between the human body and the natural world around us.




Ocean Mother


Solo Exhibition
The Harris Museum, Preston

September 2025 - January 2026

Photos by Hannah Pye
Ocean Mother was an exhibition explores the untold stories and rich experiences of South Asian mothers and how these women navigate the complex tapestry of identity through the lens of motherhood.

Through intimate conversations with 26 South Asian mothers from the UK, artist Saroj Patel asked how histories, traditions, and culture shape their identities and discovered the active role they play in embracing and teaching their cultural heritage to their children. These extraordinary mothers break boundaries and craft new narratives for South Asian women.

This exhibition also delves into Saroj’s personal connection with her mother, Sushila, who was born and raised in Gujarat, India. Aged 19, Sushila embarked on a transformative journey, migrating to the UK and becoming a mother to three children by the time she turned 22. Saroj’s mother faced struggle, loneliness, and conflict. Yet, her stories are woven together with threads of resilience and courage. Like many women of her era, her experiences inspire the next generation to forge new opportunities and create more inclusive futures for themselves and their children. For this exhibition Sushila wrote a song ‘Ocean of Emotions’ inspired by Saroj’s conversations with the South Asian mothers.

Ocean Mother celebrates heritage and the enduring power of maternal stories. These stories resonate across generations, weaving into the fabric of our shared human experience.

A special thank you goes to all the mothers that were involved in this project; Harsha Burton, Sarita Wilkes, Shazia Shoosmith, Nita Patel, Hema Mali, Mira Morar, Smita Patel, Sajini Rowland, Hina Patel Dhanji, Malinda Kaur, Remi Rana Allen, Soorya Gadkary, Lilly Sabir, Asma Mahmud Hashmi, Francesca Hewitt, Manjula Patel, Sushila Patel, Chandrika Patel, Sofia Barton, Priya Joi, Anjali Ramachandran, Sejal Parekh, Kashmira Patel, Mita Vaghela, Jal Hilson and Hema Mistry


Photo by Sarah Catterall

Journey of the Blue Sun


Solo Exhibition
The  Old Fire Station, Oxford
Curated by Mark Devereux Projects

Photos by Hannah Pye
Weaving together a story of migration, belonging and community, artist Saroj Patel leads us from a small village in India to a new life in the UK through her solo exhibition, Journey of the Blue Sun.

Swathes of colour, light and sound consume the two gallery spaces in Oxford’s Old Fire Station, as Patel presents a series of brand-new installations and sculptures inspired by her mixed cultural heritage. Representing the experiences and stories of intercultural communities across the UK, Journey of the Blue Sun is a celebration of new beginnings and significant histories.

Saroj Patel comments: “I have always been fascinated by my parents’ stories about their initial move to the UK, the experiences they had and how different life was compared to India. Like many Indians who migrated to the UK, they faced numerous challenges and difficulties. However, being a second-generation immigrant has positively impacted my life in many ways. It has given me far more choices and opportunities than I would have had if I had been born in the villages in Gujarat.”

Incorporating her signature textile artworks with brand-new forays into sound and video, Patel invites her audiences into an immersive, sensory experience. The exhibition also includes new artworks co-created with a group of women from Sunrise Multicultural Project, Banbury, Oxfordshire.

Curator, Mark Devereux added: “Journey of the Blue Sun shares an important personal story that is pertinent to so many people and communities living in the UK now. The new work Saroj has produced for this exhibition signals an exciting future for this ambitious and talented artist.”



Interwoven


Solo Exhibition
The Art House,  Wakefield

March-April  2024

Photos by Emily Ryalls for The Art House Wakefield
Interwoven weaves together a vibrant tapestry of cultural identity. In this collection of sculptures, the artist delves into the rich history of her dual heritage, skilfully exploring the intricate dance between the past, present, and future.

These sculptures serve as both storytellers and connectors, unraveling narratives that transcend borders and bridge the gap between British and Indian roots. The integration of these two cultures becomes an artistic journey, where the artist’s identity unfolds and evolves, intricately linked to her Gujarati upbringing.

Rooted in the essence of ritualistic practices and cultural traditions, each sculpture becomes a celebration of Indian culture. Yet, within the folds of this celebration lies a nuanced exploration of the joys and challenges faced by a second-generation British-Gujarati woman.

Interwoven invites you to witness the beauty and challenges of cultural duality, where the threads of the past weave into the present, creating a visual narrative that reflects the complexities and joys of a constantly evolving identity. As you explore these sculptures, may you discover the universal threads that bind us all, weaving a narrative that speaks to the shared human experience.



The Water Carrier


Installation
Sagra Village, Gujarat, India

India  2026

During a two-week residency in Sagra, Gujarat, Saroj worked closely with the women of the village, inviting them into her studio space to make together over two days. This act of shared making created a space for exchange, where creativity emerged through conversation, repetition, and the movement of hands, methods already central to the women’s daily lives.

The installation centres on the lota, a metal vessel found in every household in Sagra. Made from brass or mixed metals, the lota is a vital domestic object, used daily for collecting water, cooking, washing, and ritual. Its significance lies in use rather than ornament: shaped for hands, lifted, carried, and poured countless times, it becomes an extension of the women’s labour.

The women of Sagra work primarily in the fields while also sustaining their homes. Their strength is physical and enduring, formed through years of agricultural and domestic work. The lota mirrors this endurance, its metal body bearing weight and wear, carrying the marks of touch and time.

Formally, the lota holds a quiet femininity. Its rounded curves suggest softness and care, while the strength of the metal speaks to durability. As a vessel for water, it also carries associations of purity and renewal. Water is gathered, protected, and shared, a daily act of responsibility that sustains both family and community.

Through collective making, the lota becomes a gesture of recognition: reflecting the women of Sagra as carriers of knowledge and quiet power, whose labour forms the foundation of everyday life.




Shade of Two Suns


Public Art
Crossrail Place, Canary Wharf
Commission by Canary Wharf London
July - August  2025


Inspired by journeys across India and a reflection of my identity as a second-generation British Indian. The installation brings together a printed mural and hand-made flags, two interconnected elements inspired by the places, people, and patterns that have shaped me.

The mural draws from the vibrant colours and intricate details I’ve encountered in Indian architecture, temples, textiles, clothing, decorative arts, motifs, and traditional paintings. The regions that have left a deep impression on my practice, Gujarat, Kerala, Rajasthan, Ladakh, Delhi, and Maharashtra, each carry their own unique aesthetic and cultural richness, which I’ve translated into visual form.

The flags are inspired by Buddhist prayer flags, traditionally connected to peace, nature, and meditative intention. Created as a spiritual gesture, they carry the energy of reflection and quiet connection.

Together, the mural and flags speak to a duality: the meeting of two homelands, India and the UK. They represent the layered identity I carry, and the sense of belonging I continue to shape, one rooted in both heritage and personal discovery.





Genda


Genda, 2022
Steel, cotton, Indian block printed fabric, bicycle wheel, old baby clothes, acrylic mirrors and glass beads.

Photo by Sean Pollock, Canary Wharf




Genda was a site specific installation inspired by the light, reflections, time and space. It takes references from Indian rituals and traditions, Indian astrology and Saroj’s childhood experiences.

‘What we call the planets are no more than points of light in the vast energy network, connected intricately by the subtle lines of force, linking the entire solar system into a single organism. Though the planets appear like small points of light in the distance, their energy fields are present on Earth, and they are responsible for many of the formations of the Earth life and of our own bodies and minds.’ David Frawley from the book ‘Astrology of the Seers: A Guide to Vedic/Hindu Astrology:’

The common name for a Marigold Flower in India is called ‘Genda’ also known as the Herb of the Sun. It’s widely used for rituals, puja and ceremonies within the Indian culture. The flower holds spiritual significance and represents the Sun - brightness and positive energy.






Haridra


Haridra, 2022
Sari, cotton, bells, wire

Ba


Ba, 2022
Sari, cotton, bells, wire, mangeera, googhru


©Saroj Patel Studio 26